No-one needs poetry

Poetry is not good for you

Satisfaction is not comfort

You can't eat a poem

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vale Jackson Mac Low 1922-2004

Belatedly, wanting to acknowledge the passing of Jackson Mac Low last week. There's an obituary at The New York Times and here's more info on Mac Low . The poem below is from his series of Light Poems. 1ST LIGHT POEM: FOR IRIS -- 10 JUNE 1962 The light of a student-lamp sapphire light shimmer the light of a smoking-lamp Light from the Magellanic Clouds the light of a Nernst lamp the light of a naphtha-lamp light from meteorites Evanescent light ether the light of an electric lamp extra light Citrine light kineographic light the light of a Kitson lamp kindly light Ice light irradiation ignition altar light The light of a spotlight a sunbeam sunrise solar light Mustard-oil light
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the smell of rain

I went out for a brief walk this afternoon. It was raining, but not so hard you needed an umbrella (I hate umbrellas anyway). And so very strong, the smell of rain. I remember once reading out a poem of mine and having someone come up after the reading and note that I'd used the phrase 'the smell of rain'. I couldn't tell if he liked it or was simply taking the mickey (the latter, I suspect, as he was a very 'cool' poet and I am, manifestly, not). I wondered about the smell. To me it's always been obvious. But today I decided to go and find, and here , via the ABC and CSIRO, is some hard data. The common rain smell comes from a gas called petrichor. Apparently, volatiles evaporate from plants and are absorbed by rocks, concrete etc. When the rain hits the rock, the volatiles are released into the atmosphere. That's why I can particularly smell it wandering along concrete paths and past sandstone walls. If it's good enough for CSIRO, it's good eno
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here and now

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There’s a new anthology of Australian poetry just hit the decks. I think the official publication date was early January, but there were plenty copies in bookshops before Christmas. I bought one in one of my favourite bookshops, Kinokuniya, in Sydney, in December. There’s some discussion about it going on Laurie Duggan’s blog , especially about the cover. I’m not so keen on the cover but others I know think that it’s fine. And there is always going to be the usual argument about who is in and who is out, and why. I've been left out of enough anthologies and been in a few (I'm in this one, for instance), and have said my piece on that a few times too many in the past, so perhaps it's not the place to join that discussion for the moment. I’m more interested in John Kinsella’s comment in one of his introductory essays (you can read all of this essay on the Penguin website ): “The publication or presentation of innovative verse-novels, prose poetry, hypertextual poetry, multim
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