conditions

with morning brilliance
filters, silhouettes
plans
here's our montage
maps, negatives
our grain

contact is the art

- for A

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vale Jackson Mac Low 1922-2004

Belatedly, wanting to acknowledge the passing of Jackson Mac Low last week. There's an obituary at The New York Times and here's more info on Mac Low . The poem below is from his series of Light Poems. 1ST LIGHT POEM: FOR IRIS -- 10 JUNE 1962 The light of a student-lamp sapphire light shimmer the light of a smoking-lamp Light from the Magellanic Clouds the light of a Nernst lamp the light of a naphtha-lamp light from meteorites Evanescent light ether the light of an electric lamp extra light Citrine light kineographic light the light of a Kitson lamp kindly light Ice light irradiation ignition altar light The light of a spotlight a sunbeam sunrise solar light Mustard-oil light ...
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connecting poetry and TED

As well as taking part in events at the Sydney Writers Festival next week, I'll also be doing a quite different gig in Sydney on Saturday 22 May, at the Carriageworks. I will be part of some readings organised by The Red Room , at an event called TEDx, which is taking place in Sydney at CarriageWorks on Saturday 22 May 2010 and featuring, as the website claims, a selection of Australia's leading visionaries and storytellers showcasing their Ideas Worth Spreading LIVE to a group of thinkers ... as well as ONLINE to the world at large"." It's part of something called TED which is described as "a small nonprofit devoted to Ideas Worth Spreading. It started out (in 1984) as a conference bringing together people from three worlds: Technology, Entertainment, Design" . As for the poetry part it will include Johanna Featherstone from the Red Room making a presentation about the role of poetry in Australian society. To complement Johanna's talk will be rea...
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making do

Every so often I have my hair 'done'. It's a luxury, a kind of time-out. Two hours or more to think and dream along different streams. A public kind of dreaming, especially on a Thursday evening, when it's crowded. I get to read fashion magazines. I am far from the type for these. I could not wear the clothes featured, nor put on the shoes or contemplate the make up nor the diet fantasies proposed and propelled along their pages. It is all wonderfully alien, yet territory for thinking. My hairdresser, Sam, gives me decent coffee, maybe a small Greek biscuit from the cake shop across the way. I don't talk much. The staff and other customers gossip around me and there's a lot of laughing and screeching. This is both comforting and friendly, but also exclusive. Or, as I realise, it's me who excludes. That I have nothing to say into this. But that isn't the point for me. This time, and I wonder if it will stick, I think of ways in which I might need to chang...
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